NEW STUDIO DAY 4 – 6th May 2025

We planned to do the concrete pour on Saturday, but discovered we could save money by ordering the load on a weekday. Paul arrived early with the underfloor insulation panels and DPM (Damp Proof Membrane).

We laid the damp proof sheeting, scored the surface of each insulation panel to make them flexible, then added more sheeting on top.

I finally get to do some OIL PAINTING! This is old engine oil, painted onto the shuttering to prevent the concrete from sticking.

It’s full steam ahead when the concrete arrives at 10.30. I never skip lunch but today it was only when Lindsey called at 3.20 that I took a breath.

A huge beam and vibrating machine was dragged across the surface to level it out. I’m not used to this physical work!

We soon discovered we had too much concrete. What to do with the excess?  

We decided to add a ramp. Nicely signed by all the family, including Mowgli the dog. At the end of a long day we were just packing up when we realised the concrete had already set. So off came the shuttering to save a return journey.

When I got back from the Affordable Art Fair, I got myself a long enough tape measure and a string line to see how things were.

Paul lent me his beast of a cut-off saw to tidy up the edges where the shuttering had moved slightly. Loud, dusty work but a nice finish. We’re ready to order the building!

NEW STUDIO DAY 3 – 26th April

Using the string line to locate the “shuttering” – the metal girders used to hold the concrete in place. The boys were helpful to hammer the pins in place and hold the laser level to get the height right. 

The gap at the side is for digger access to bring in the Motorway planing (finer, dark stone, great for levelling.) 

We’re ready to pour! Hopefully next week we will lay insulation boards, then bring in the concrete. The pipe is so that the electric cable can be inserted after the concrete is poured. 

NEW STUDIO DAY 1 and a half

Well I had a bit of a heart-stopper. Chatting to a friend about my studio project, he mentioned the standard height limit of 2.5 metres for garden sheds. At 4am in the morning I thought I’d better check the wording on the council’s website. 

I’d been working under the assumption that the “BOUNDARY OF THE CURTILAGE OF THE DWELLINGHOUSE” referred to the land around the house itself. Not so, it seems, and my plan for a 3 metre roof was shot to pieces. 

Thankfully, Alex at Hanson’s was able to adjust the eaves height and change the roof pitch from 19 to 10 degrees, bringing the overall height under the permitted 2.5 metres without changing the footprint. So on we go. 

NEW STUDIO STORY – DAY 1 – 29th March 2025

After a great deal of research and thought, the day has come. I’ve talked to as many neighbours as possible and posted letters to the others to let them know of our plans. Access from the front of the property is limited, so we are going between the buildings at the back.

Paul’s 2.5 tonne digger fits through the gap with 2cm to spare on either side. Good job it does, because we’ll need to it remove a stubborn tree trunk from the garden.

Access through the fence panel. 

Before. Toy diggers were used to mark the rough position of the studio. 

 

I’d spent hours trying to dig this root out by hand! It was therapeutic in a sense. In the planning stage, when nothing physical is happening, it was helpful to make a tiny difference to the garden. 

Loaded up.

Paul used a laser level and string to mark out the position of the studio base. Pythagorus theorem was used to check it was square. Clever stuff!

Removing dirt to level the ground. We used the dirt to create a bedding border for the neighbour, which saved us having to cart it away. 

End of a long day. Very relieved to have made a start and not be just talking about it. 

THE STORY of the NEW STUDIO – March 2025

I have been at my studio in Oyston Mill, Preston, for around 24 years. I love it. However, when we moved to our current house in St Annes, the big draw was the garden which is long enough to accomodate a studio.

I have been saving up for over a year and we are hoping to begin work around March 2025. Below are some of the specifications supplied by Hansons Steel Buildings. 

 

Hannah

PAINTING OF THE WEEK 
20th to 27th June 2018
“Passage”
20 x 20 inches, oil on board

(click image to enlarge)

Hannah is an enigmatic, talented young lady. We met when I gave a talk at her Art College and she is now launching her musical career with the band “Dream English Kid.” The two small paintings of Hannah below have already sold and the top one was shown  at the Mall Galleries, London, in the New English Art Club Exhibition.

The painting of the week presents the relaxed, contemplative Hannah, very different to her stage presence. The armchair, fireplace and decorations were set up in the studio to give a domestic feel. The title refers not only to a section of the book but to this transitional period in her life after Art school.

Hannah, 8 x 10, SOLD

Of Another Time, 8 x 10, SOLD

See more paintings from life here

Going The Distance

Norman Long’s most ambitious painting to date.
“Going The Distance”
89 x 59 inches, 225 x 150cm, oil on linen

(click image to enlarge)

Newly married and enjoying long beach walks near our home in Lytham St Annes, this monumental painting records my contemplation of a future life together. The young couple, actually based on a photo I took on honeymoon in Venice, look towards the middle distance, where as parents they are busied with children and responsibilities. The sunlit far distance is where they once again walk side by side, reflecting upon the distance they have travelled together.

The canvas is the largest dimensions that would fit on the studio wall. The setting is based on many drawings and small studies (like the one below) done on the beach. As you can see, St Annes pier once featured in the painting but was distracting from the true message so was painted out.

The little girl (below) in “Going the Distance” also appears, albeit walking the other way,  in “Divided Interest”.
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